Friday, October 30, 2009

Friday, October 30, 2009: Materialicious--Domsai by Matteo Cibic

You, the you I write to.
The whole so what.
I know that I have your
attention. And now

I'll keep showing you
scenes, presenting them
like tattered bouquets.
You, you can look

at them, the images
that I bundle and display.
I bring them because
what else can be done

with the disorder
of how this happens
except to make collections
and place them at your feet.

Thursday, October 29, 2009

Thursday, October 29, 2009: Notcot #25897

How to Live in a Tree

If the tree is going to fall, let it fall.
If it will live, allow it to,
and build your house around it.

Trust it to hold your weight.
Remember that you don't have
a front yard, just a yawning space

and majestic view and a narrow set
of stairs. Yes, watch your step in
this life within life.

Wednesday, October 28, 2009

Wednesday, October 28, 2009: Notcot #25822

Safe

Locked into a safe,
a box with a latch and a lock.

The lid remains closed,
the latch snapped, sealed.

What of the glittering thing
in the dark chamber--

what is it like
in that crate, no air,

no light. Safe, we call it,
from rougher hands,

from the calendar flipping
fast as a bicycle's spokes.

Tuesday, October 27, 2009

Tuesday, October 27, 2009: Notcot #25833

The Lake Keeper

You have entered onto someone else's land.
This much is clear as you watch water slap shore

and your breath leave you in pale puffs,
perfume from an atomizer.

Even your silence is borrowed, is an interruption.
Three raccoons scuttle from beneath

the skirt of a pine. Ducks clatter in the water,
dirty dishes clanking in a sink.

Probably a squirrel gripped a branch.
Leaves collected against leaves.

Only you watched, thinking your silence
qualified you to belong to this moment.

Monday, October 26, 2009

Monday, October 26, 2009: photo by Marcos Armstrong (via his Flickr)

Strange Design

Strange design has been applied
to this sheet metal. Water’s

drooled, dragging rusty stalactites,
brown daggers. Perforated

stencils—labels of ounces and pounds,
an emblem resembling a sheriff’s badge.

The most recent revision: seventeen
bullet holes, a constellation

of freckles, troublesome moles. We process
the punctures as polka dots, black

spots, dark drops of paint.
This metal is aging artfully,

unwittingly, thanks to the dusky
palette of decay, graffiti.
The Storialist. All rights reserved. © Maira Gall.