Shadow Puppets
Turn your fringe of four fingers horizontally,
Thumb bent in. Divide this in half, by stretching
The ring finger and pinky downwards. This is
The lower jaw of your creature, be it dog,
Alligator, stork.
Allow the light to sift through your digits,
And admire the charcoal profile that emerges
On the wall or tabletop, your stage. It can
Talk, eat, breathe; it only needs an inch.
Pages
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Tuesday, June 30, 2009
Monday, June 29, 2009
Monday, June 29, 2009: On the Street…After the Show, Paris
How to Handle the Loveliness of Young Men
Especially if their looks tip toward prettiness—
Hair in a halo of curls, petal-smooth cheek,
Slim, pale wrists
Feel free to dip your words in the common dialect
of loveliness: angels, flowers,
Delicacy
Turn toward the person to your left and remark
How beautiful he is, or use
The word striking
For here, in the shaky subway car, amongst the crowds
And murky newspapers, his
Looks are agonizing
Especially if their looks tip toward prettiness—
Hair in a halo of curls, petal-smooth cheek,
Slim, pale wrists
Feel free to dip your words in the common dialect
of loveliness: angels, flowers,
Delicacy
Turn toward the person to your left and remark
How beautiful he is, or use
The word striking
For here, in the shaky subway car, amongst the crowds
And murky newspapers, his
Looks are agonizing
Friday, June 26, 2009
Friday, June 26, 2009: On the Street…Trench Tie, Milano
The Rules
King me, she said gleefully.
The clatter of checker on top of checker,
Her delight in playing by the rules
And winning. That’s what I remember.
King me, she said gleefully.
The clatter of checker on top of checker,
Her delight in playing by the rules
And winning. That’s what I remember.
Thursday, June 25, 2009
Wednesday, June 25, 2008: On the Street…Via Tortona, Milano
Velcro
A fastening of innocence,
For children or the elderly.
A flap of teeth slapped against
Its fuzzy shadow. Simplicity
Defines Velcro: apart, together.
No allure of the button that ducks
Its opening without the wearer’s
Consent. Buttons get unstuck,
Noiselessly. Zippers announce their closure
Depending on the force applied—
A slide whistle. Metallic, secure,
Zippers catch fabric, are pried
Apart and broken, permanently.
Velcro is affixed to itself like a Band-aid.
By the time it weakens and grips loosely,
The clothing has been outgrown or mislaid.
A fastening of innocence,
For children or the elderly.
A flap of teeth slapped against
Its fuzzy shadow. Simplicity
Defines Velcro: apart, together.
No allure of the button that ducks
Its opening without the wearer’s
Consent. Buttons get unstuck,
Noiselessly. Zippers announce their closure
Depending on the force applied—
A slide whistle. Metallic, secure,
Zippers catch fabric, are pried
Apart and broken, permanently.
Velcro is affixed to itself like a Band-aid.
By the time it weakens and grips loosely,
The clothing has been outgrown or mislaid.
Wednesday, June 24, 2009
Wednesday, June 24, 2009: On the Street…Nicole, Berlin
What’s Between
There are two little girls on the sidewalk.
They are tearing at what’s between
The squares of cement. Their fists
Clamp bouquets of grass, shredded weeds,
The occasional limp clover or dandelion.
Somewhere, a lawn is being mowed.
A plane dawdles overhead, the size of a dragonfly.
Their drones are indistinguishable.
There are two little girls on the sidewalk.
They are tearing at what’s between
The squares of cement. Their fists
Clamp bouquets of grass, shredded weeds,
The occasional limp clover or dandelion.
Somewhere, a lawn is being mowed.
A plane dawdles overhead, the size of a dragonfly.
Their drones are indistinguishable.
Tuesday, June 23, 2009
Tuesday, June 23, 2009: On the Street….Simone at Sunset, Florence
Index finger, named for its ability
To peruse, to slink amongst rows of type
As a cat pads through a flowerbed.
Also known as the pointer finger, it can
Indicate a thief, a suitable area
For a picnic, a direction in which to walk
Or drive. Also, trigger finger
For its skill in recoiling, hooking and pulling.
It can represent the number one
Or victory when raised alone.
When wagged from side to side, windshield
Wiper-like, it shames, prevents.
With it raised against your closed lips,
You might be mistaken for a stern librarian
Extinguishing noise like a snuffer blots
A flame. But I know your index finger,
Braced against your mouth is a tool for thought,
An instrument for recalling, locating.
To peruse, to slink amongst rows of type
As a cat pads through a flowerbed.
Also known as the pointer finger, it can
Indicate a thief, a suitable area
For a picnic, a direction in which to walk
Or drive. Also, trigger finger
For its skill in recoiling, hooking and pulling.
It can represent the number one
Or victory when raised alone.
When wagged from side to side, windshield
Wiper-like, it shames, prevents.
With it raised against your closed lips,
You might be mistaken for a stern librarian
Extinguishing noise like a snuffer blots
A flame. But I know your index finger,
Braced against your mouth is a tool for thought,
An instrument for recalling, locating.
Friday, June 19, 2009
Friday, June 19, 2009: On the Street…Stripes & Squares, Florence
In the theatre, before Giselle,
the girl stares up at the heavy chandelier,
wonders, aghast, what if it fell,
if she stood and ran, would she slip on her souvenir
program, would she be crushed against
the doors leading to the lobby, between
tuxedos, satin gowns, fur, condensed,
trapped, coins in a slot machine.
the girl stares up at the heavy chandelier,
wonders, aghast, what if it fell,
if she stood and ran, would she slip on her souvenir
program, would she be crushed against
the doors leading to the lobby, between
tuxedos, satin gowns, fur, condensed,
trapped, coins in a slot machine.
Thursday, June 18, 2009
Thursday, June 18, 2009: On the Street…The High School Student, Florence
Cruising along 670 West in my first car,
My parents’ maroon Pontiac that we called “the new
Car” in ’92, I’m wondering where
I’ll live. Maybe on the East Coast, Maine,
Perhaps (I’d researched that state in fifth grade,
State bird: the chickadee). I’m seventeen,
It’s spring, and all decisions resonate
With magnitude, maybe for the first time, at least
In my understanding. The Wonder Bread factory
Is dumping its sweet, dusty smell all over
The highway like pheromones, pollen.
My parents’ maroon Pontiac that we called “the new
Car” in ’92, I’m wondering where
I’ll live. Maybe on the East Coast, Maine,
Perhaps (I’d researched that state in fifth grade,
State bird: the chickadee). I’m seventeen,
It’s spring, and all decisions resonate
With magnitude, maybe for the first time, at least
In my understanding. The Wonder Bread factory
Is dumping its sweet, dusty smell all over
The highway like pheromones, pollen.
Wednesday, June 17, 2009
Wednesday June 17, 2009: On the Street…Man Stripe, Florence
Basic human locomotion is a machine
That operates best without thinking, deliberation.
The moment you think, toe, foot, ankle, knee
You’ll stumble, I know that I have.
Knee into asphalt, wrist striking pavement,
A tumble within my body divides me into shapes,
Turns me into Colorforms, a Picasso.
That operates best without thinking, deliberation.
The moment you think, toe, foot, ankle, knee
You’ll stumble, I know that I have.
Knee into asphalt, wrist striking pavement,
A tumble within my body divides me into shapes,
Turns me into Colorforms, a Picasso.
Tuesday, June 16, 2009
Tuesday, June 16, 2009: On the Street…Floral Beauty, Governor’s Island
Evolution
We walked through the woods, me thinking about the difference
Between the words forest and woods, you talking about the emu
Feather you found on that farm in college.
At first, I thought it was a trampled fern, and when I picked it up
And shook off the dust, I saw it was a dark feather. Tan and
Brown, like a reed. The sun made leopard print of our arms,
And I said If we lived in the forest, we’d have to evolve, our skin
Might grow spots. We were quiet for a while after that, not in
Any meaningful way, just a space
That sprung up in our talking like the thick beams of light that
Sometimes pierce the dense woods, like someone used a
Hole-puncher on the tangled foliage overhead.
We walked through the woods, me thinking about the difference
Between the words forest and woods, you talking about the emu
Feather you found on that farm in college.
At first, I thought it was a trampled fern, and when I picked it up
And shook off the dust, I saw it was a dark feather. Tan and
Brown, like a reed. The sun made leopard print of our arms,
And I said If we lived in the forest, we’d have to evolve, our skin
Might grow spots. We were quiet for a while after that, not in
Any meaningful way, just a space
That sprung up in our talking like the thick beams of light that
Sometimes pierce the dense woods, like someone used a
Hole-puncher on the tangled foliage overhead.
Monday, June 15, 2009
Monday, June 15, 2009: On the Street…Seventh Ave. & 23rd St, NYC
Unmentionables
So much of city life depends upon
An ability to overlook,
To look past the unmentionables:
The tarry spots of gum
On the cement, so near to one’s toes;
Sirens and yelping brakes,
Two versions of mechanical weeping;
A man curled like a caterpillar
In his sleeping bag, coat over garbage
For a pillow; the near
Death experiences of cyclists at which
They barely flinch.
Learn to distance yourself with, say,
A sweetened coffee
That you swirl in your hand like a cocktail,
An iPod to redesignate
Background noise, and look out on all of it
Your kingdom, your village.
So much of city life depends upon
An ability to overlook,
To look past the unmentionables:
The tarry spots of gum
On the cement, so near to one’s toes;
Sirens and yelping brakes,
Two versions of mechanical weeping;
A man curled like a caterpillar
In his sleeping bag, coat over garbage
For a pillow; the near
Death experiences of cyclists at which
They barely flinch.
Learn to distance yourself with, say,
A sweetened coffee
That you swirl in your hand like a cocktail,
An iPod to redesignate
Background noise, and look out on all of it
Your kingdom, your village.
Thursday, June 11, 2009
Thursday, June 11, 2009: On the Street…The Starlet, Governor’s Island
After an hour in the sun, her freckles bloomed,
Miniature beige and brown blossoms across her arm,
Shoulder, bridge of the nose. I think I’m burnt,
She sighed, fanning herself with an unpaid parking ticket.
Miniature beige and brown blossoms across her arm,
Shoulder, bridge of the nose. I think I’m burnt,
She sighed, fanning herself with an unpaid parking ticket.
Wednesday, June 10, 2009
Wednesday, June 10, 2009: On the Street…The Sheltering Sky, Governor’s Island
Our Town
Summer evenings, our town transformed into an Edward Hopper
Landscape, veiled with stillness and failing yellow sun.
Shadows spilled from suburban architecture like gasoline,
Slippery, iridescent. Girls propped themselves
Against window ledges, porch railings, the tenuous boundaries
That separate inside from out. Longing sprawled everywhere
In those days, in my recollection of those days.
Summer evenings, our town transformed into an Edward Hopper
Landscape, veiled with stillness and failing yellow sun.
Shadows spilled from suburban architecture like gasoline,
Slippery, iridescent. Girls propped themselves
Against window ledges, porch railings, the tenuous boundaries
That separate inside from out. Longing sprawled everywhere
In those days, in my recollection of those days.
Monday, June 8, 2009
Monday, June 8, 2009: On the Street…Sunday in the Park, Governor’s Island
Boulder
A plaque in the middle of the park
Tells us how the cottage-sized boulder got there,
In the center of a flat field, bordered
On three sides by black-green trees.
A glacier had consumed the rock
And dragged it along the earth during
Its descent. The glacier’s remains,
Its bones, its boulder still stands,
Shivering in the sun, a vulnerable creature
Stripped of shelter or shell.
A plaque in the middle of the park
Tells us how the cottage-sized boulder got there,
In the center of a flat field, bordered
On three sides by black-green trees.
A glacier had consumed the rock
And dragged it along the earth during
Its descent. The glacier’s remains,
Its bones, its boulder still stands,
Shivering in the sun, a vulnerable creature
Stripped of shelter or shell.
Friday, June 5, 2009
Friday, June 05, 2009: On the Street…S. Portland Street, Brooklyn
At five thirty on a Wednesday night, the look on all
Our faces signifies concentration.
We match. We look related with our furrowed
Brows, clamped mouths. I walk six blocks
To the bus, clenching my jaw all the while,
And wilt into the vinyl seat, my focus
Dispersing into the air like scattered light.
Our faces signifies concentration.
We match. We look related with our furrowed
Brows, clamped mouths. I walk six blocks
To the bus, clenching my jaw all the while,
And wilt into the vinyl seat, my focus
Dispersing into the air like scattered light.
Thursday, June 4, 2009
Thursday, June 04, 2009: On the Street….Blue Byrne, Brooklyn
How to Remove a Spider Web
You’ll need a broom handle, or plastic ruler—
Something to function as an extension of your arm.
Do not, under any circumstances, use your fingers.
The web will cling and stick, and even after soap
And terrycloth, even the next day, your fingertips
Feel glazed and gummy, and you won’t remember
Why. In the same way that worry can approach
And creep over your heart, dragging a net of malaise
With no discernable origin or pattern.
You’ll need a broom handle, or plastic ruler—
Something to function as an extension of your arm.
Do not, under any circumstances, use your fingers.
The web will cling and stick, and even after soap
And terrycloth, even the next day, your fingertips
Feel glazed and gummy, and you won’t remember
Why. In the same way that worry can approach
And creep over your heart, dragging a net of malaise
With no discernable origin or pattern.
Wednesday, June 3, 2009
Wednesday, June 3, 2009: On the Street….Moving Images, NYC
The rules of traffic are arbitrary,
And arbitrated by machines, lines, and lamps.
I wince at the cyclist hurtling along the narrow channel
Between wheezing, lurching vehicles.
When you enter your car, you become it.
That’s how we function on a road crammed full
Of metal and glass moving as if of its own volition.
And arbitrated by machines, lines, and lamps.
I wince at the cyclist hurtling along the narrow channel
Between wheezing, lurching vehicles.
When you enter your car, you become it.
That’s how we function on a road crammed full
Of metal and glass moving as if of its own volition.
Tuesday, June 2, 2009
Tuesday, June 2, 2009: On the Street…Fort Greene, Brooklyn
Momentum
A broken wristwatch becomes a bracelet.
I prefer it that way,
For numbers to become decorations,
Illustrations, squiggles.
When time’s arms stretched and yawned
From a sundial's center,
How long did it take for someone to shudder
At the lateness of
The hour, the momentum and strength of shadows
Running the length of their leashes.
A broken wristwatch becomes a bracelet.
I prefer it that way,
For numbers to become decorations,
Illustrations, squiggles.
When time’s arms stretched and yawned
From a sundial's center,
How long did it take for someone to shudder
At the lateness of
The hour, the momentum and strength of shadows
Running the length of their leashes.
Monday, June 1, 2009
Monday, June 01, 2009: On the Street…Print Dress, Sydney
Precipitation
You showed me your grandmother’s ring—
A poison ring, you called it—that could hold a capsule
Of cyanide in it. But your grandmother used it
To hold a seed pearl from the strand that snapped
On her honeymoon. She’d knelt on the blue carpet
Of the hotel in Cape Cod, praying it wasn’t an omen,
Plucking the ashen beads from the navy fiber,
Cupping them in her palm (against her lifeline)
like rainwater, miniature hail, fine snow.
You showed me your grandmother’s ring—
A poison ring, you called it—that could hold a capsule
Of cyanide in it. But your grandmother used it
To hold a seed pearl from the strand that snapped
On her honeymoon. She’d knelt on the blue carpet
Of the hotel in Cape Cod, praying it wasn’t an omen,
Plucking the ashen beads from the navy fiber,
Cupping them in her palm (against her lifeline)
like rainwater, miniature hail, fine snow.